It is possible to read the Bible from a number of different angles and for various purposes without dealing with God as God has revealed himself . . .
To put it bluntly, not everyone who gets interested in the Bible and even gets excited about the Bible wants to get involved with God.
Eugene H. Peterson, “Eat This Book,” Wm. B. Eerdman’s Publishing Co., 2006
Take a look at Mark 4: 3 – 9.
So I stopped by my local library today and checked in the children’s section. They have a box by the children’s librarian’s door with free books and magazines they will eventually throw-away if no one grabs them. I’m all for giving unwanted children’s books a home!
Today I found 11 short paperback books published by The Westminster Press as part of their “Christian Faith and Life” series which is billed as a “program for church and home.” All of them appear to be from the 1950s and 60s and are illustrated in that classic 60s style art. I’m guessing the books are aimed at children in the 8 to 12 year-old age range. On top of everything else, they’re all in very good condition!
I have to say, after a brief skimming of a few of them, the theological concepts I found are clear and very well presented for children. Today’s churches could use these books!
I’ll try to share more of the contents with you as I have the chance to go through them.
A View of Earth from Saturn (Photo credit: alpoma)
Readers didn’t have affection for the past anymore because they didn’t believe in it. They’d been told for too long that everything they knew about the past was a lie, that the good men with hard codes were actually the bad men and that the outlaws were either victims of injustice or rebels against conformity – which were the real lies.
People didn’t believe in the past, and they didn’t believe in the present or the future because they were told constantly that they were headed toward one cataclysm or another, that before them lay a smorgasbord of dooms. They believed only in the far future where adventures took place on distant planets nothing like Earth and involved characters little or nothing like contemporary human beings, or they wanted parallel worlds with wizards and warlocks, where all problems were solved with wands, spells, and the summoning of demons.
Dean Koontz, from “Frankenstein, Book Four: Lost Souls.” (2011 Bantam Books Mass Market)
Steel engraving (993 x 71mm) for frontispiece to the revised edition of Frankenstein by Mary Shelley, published by Colburn and Bentley, London 1831. The novel was first published in 1818. (Photo credit: Wikipedia)
Hello again.
Yes, I’ve been away for a while. As most of you probably know, the holidays can be a hectic time. Not only was our business crazy-busy the two weeks before Christmas, but my wife and I then traveled to California after Christmas to visit my mother and some dear friends. When we arrived home this past week, our small business still demanded we run around like crazy people. Don’t get me wrong. That’s a good thing in this economy. But it kept me from being able to post until now. Which is not a good thing.
I hope and trust that you all had a wonderful holiday season and made it through safely. I also hope you all got the books you truly wanted. I did. I got copies of Eugene Peterson’s “Eat This Book,” Richard A. Burridge’s “Imitating Jesus,” and Dean Koontz’s “Frankenstein, Book Three: Dead and Alive.” That last one I tore through while we were in California. What a book!
Originally intended to be a cable television event, then a trilogy co-written by Koontz and another author, “Frankenstein” has finally been fulfilled as a five-volume series exploring and expanding the themes begun by Mary Shelley in her original novel. Why Dean Koontz agreed to co-author the first two books is somewhat of a mystery, given that he writes novels the way bunnies . . . well, you know.
Anyway, it would be a bit unfair to do a detailed review of “Dead and Alive,” given it’s the middle book in the series and I don’t want to spoil too much in case anyone out there decides to read the whole arc. I will say that it contains the usual sharply drawn characters (including the original Frankenstein’s monster as a hero this time), off-beat humor and the unnerving situations that Koontz is famous for. What he is also famous for is his exploration of important themes, in this case what happens when man tries to play God. (It’s also the theme of one of my favorite television series, “Fringe”) The fact that in today’s world we have genetic engineering going on and biotech companies patenting new bacteria lends a certain immediacy to this story.
Koontz actually dedicates the first three books, the original Frankenstein trilogy, to C.S. Lewis, opening “Dead and Alive” with a quote from Lewis’ book “The Abolition of Man”:
I am very doubtful whether history shows us one example of a man who, having stepped outside traditional morality and attained power, has used that power benevolently.
In his dedication, Koontz credits Lewis for realizing “that science was being politicized, that it’s primary goal was changing from knowledge to power, that it was also becoming scientism, and that in the ism is the end of humanity.” So true. Lewis was well ahead of the curve in seeing that.
Not to start off the new year on a down note, but there really are mad scientists in the world today. I can point you to some blogs and websites where they are quite active. We need to approach the future with our eyes open. And a Dean Koontz novel.
The Old Book Junkie 